A RIGHT FILM AT RIGHT TIME
In addition to sophisticated special effects and good design, Lu Wei, who was in charge of the operation and planning of the animation, also attributed the film's success to the timing of releasing.
"If it were two years ago, the film would have little chance to take in that much money," Lu said.
With new methods of funding, backed by the government's "Internet Plus" drive, they were able to rise more than 7 million yuan using online finance platforms in one instance.
Those who contributed 100,000 yuan through Internet finance were able to see their children's names shown on screen when the film ended. The move not only helped fund the film, which took 8 years to make, but also worked as good advertising, according to Lu, founder of Beijing-based Skyfilm Capital.
Online advertising featuring celebrity endorsements from names like Ma Yun, founder and chairman of China's e-commerce giant Alibaba, and Huang Xiaoming, a famed actor, also made it easier for the film to reach audiences.
Fans of the Monkey King also shared reviews and posters of the film on Wechat, a mobile messaging app, which has about 500 million users.
In traditional marketing, most advertising is done on paper, in the streets and theaters.
This is part of the reason most Chinese animated films find it hard to reach the 100 million yuan box office benchmark, according to Lu. One recent animation, "Dragon Nest: Warriors' Dawn", received great reviews from the audience, but only earned about 55 million yuan.
TRADITION IS A TREASURE HOUSE FOR ANIMATION
The majority of Chinese animation fans, if not all of them, have grown up with foreign cartoons, including Doraemon from Japan and Iron Man from America.
That is the predicament for China, now the second largest movie market in the world, which has produced numerous animation films but few characters that have global influence.
"Monkey King: Hero is Back" might change that.
Its success has revealed China's traditional culture can provide a gold mine for potential popular characters, said Rao Shuguang, the secretary-general of the China Film Association.
Rao believes "Monkey King: Hero is Back" was a turning point for Chinese animation, which has been struggling to compete with imported works.
Tian is also confident Chinese animation will develop to a level that can rival Hollywood sooner or later.
But not all are so optimistic. Some analysts said that a lack of originality, creativity and cartoonists, would pose major obstacles for Chinese characters to achieve global popularity.
The "Monkey King: Hero is Back" has also been criticized by some as copying the images and scenes of "Kung Fu Panda" and "Shrek".
