A golden age for Chinese art(2)

This latest major Chinese-themed event at the British Museum follows one from last October to January, Masterpieces of Chinese Painting 700-1900, held at the Victoria and Albert Museum, which brought together some fine examples, from small-scale intimate works by monks and literati to scrolls more than 14 meters long, many of which had never before been seen in the UK.

Zhang Hongxing, senior curator of the V&A, says: "The UK and the international media response has been so positive, with almost everyone admitting how little they actually knew about the Chinese art at this time.

"Exhibitions of this kind will hopefully play an important part in bringing a better understanding of historical China to the British public, in a way that the media brings them a growing understanding of present day, contemporary culture and society."

Zhang's opinion is echoed by Katie Hill, director of the Office of Contemporary Chinese Art, an artist representation agency which also specializes in sales, curating and in education regarding Chinese contemporary art.

"They are a sort of window for China, from an authentic prospective: Really high-quality Chinese culture coming to British audiences for the first time, allowing a view which they never normally have access to.

"When you actually see the range and variety of paintings, you realize the diversity of Chinese culture," says Hill.

She believes that the growing number of China-themed art exhibitions are especially significant today, because there is so much in the news about China that is problematic, or with a focus too often on trade or China's economic rise.

"China is very big in people's minds at the moment - but what is being said is often quite limited to business, manufacturing and economics," says Hill, adding that it has nothing much to do with the broader cultural aspects which many people have never had explained.

Art and cultural exhibitions offer access to pleasurable aspects of China, which are given little media coverage, offering what she says is crucial in bridging the cultural gap.

Curators are encouraged by some of the long-term relationships that have been developed between museums in China and Britain over the past 20 years, allowing experts from both sides to work together on events.

Another of those is Passion for Porcelain, an exhibition first held at China's National Museum in collaboration with the V&A and the British Museum, which was then moved to the Shanghai Museum, and the city's China Art Palace.

Zhang Hongxing says more exhibitions will be planned in Britain to enhance and increase everyone's knowledge about China.

"These are a really important means of communication, letting people understand about China and its history.

"If we introduce more about Chinese art to the world, then people will be given a wider perspective of the country, and in turn China can play a more important role in the art world."

Adds Harrison-Hall: "The more people understand each other's cultures, the more they can understand a country - that's particularly true in China, where an understanding of the past is so relevant to the present."